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  • Title: Gaffaweb - A Tribute to Kate Bush and her fans
    Descriptive info: .. Introduction.. Table of Contents.. Kate Bush FAQ.. The Love-Hounds Forum..

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  • Title: Gaffaweb - Introduction
    Descriptive info: Greetings, wanderers of the Internet, and welcome to Gaffaweb!.. Gaffaweb has been assembled by a group of volunteers from the.. Love-Hounds.. Internet forum (a.. k.. a.. rec.. music.. gaffa) with the aim of creating the ultimate resource for Kate Bush fans.. Kate Bush -- singer, songwriter, musician, dancer, actress, and director -- has inspired a devoted following around the world, and in August 1985, Doug Alan created an online discussion group about Kate.. At first taking the form of a mailing list called Love-Hounds, it soon grew into a usenet newsgroup called rec.. gaffa.. The name was chosen over rec.. katebush to indicate that discussion would.. not.. be limited to Kate Bush alone.. Other artists discussed in Love-Hounds / rec.. gaffa include those who have been involved in Kate's work in some way, such as Peter Gabriel and Roy Harper, as well as those who have been influenced by her or likened to her, such as Tori Amos and Happy Rhodes.. Together, the mailing list and the newsgroup form an informal fan club known as Love-Hounds..  ...   Love-Hounds archives, a comprehensive FAQ, a vast selection of images, and much original material specially created for Gaffaweb.. Note: Like every other site on the Web, new things are continually being added to Gaffaweb.. Still to come are a set of song story pages which will offer in-depth discussion and analysis of each of Kate's songs, a fully searchable database of all Kate Bush lyrics, the truly delightful.. Cloudbusting: Kate Bush In Her Own Words.. collection, a searchable archive of over a decade's worth of discussion and debate in Love-Hounds, and more.. Check back often for new developments.. Gaffaweb is intended as a source of information and entertainment for the devoted fan and the curious newcomer alike.. If you're already a fan, you've definitely come to the right place.. And if you're not yet familiar with the work of Kate Bush, we hope this is an introduction you'll enjoy.. Okay, here goes.. Make yourself a cup of coffee (homeground or otherwise), surf on, and get ready to be totally Bushwhacked!.. Emmy May Lombaerts.. 30 July 1996..

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  • Title: Gaffaweb - Table of Contents
    Descriptive info: Introduction.. Written by.. Emmy May Lombaerts.. The Kate Bush FAQ.. Frequently Asked Questions about Kate Bush, the Love-Hounds mailing list, and rec.. Compiled by.. Ulrich Grepel.. CLOUDBUSTING: Kate Bush In Her Own Words.. A collected set of quotes by Kate on a variety of subjects.. , compiled by.. Ron Holl.. PHOENIX: The Early Kate Bush.. The early years and unreleased recordings of Kate Bush.. Wieland Willker.. DREAMING: The Best of Love-Hounds 1985-1995.. Selections from the vast archives of Love-Hounds.. MOMENTS: The Red Shoes Collection.. All about.. The Red Shoes.. ,.. The Line The Cross And The Curve.. , Fruitopia, and more.. THE GARDEN: A Compendium of Information 1978-1990.. An annotated chronology, the unpublished writings of Kate Bush, contributions to the.. Kate Bush Club Newsletter.. by  ...   Fitzgerald-Morris.. and.. REACHING OUT: The Interviews, Articles and Reviews.. Comments and opinions in the mass media.. Ron Hill.. Vickie Mapes.. THEM HEAVY PEOPLE: The Gaffaweb Dictionary.. A lexicon of heavy people, places, and things associated with Kate Bush.. Compiled and written by.. Richard Bensam.. THE SENSUAL WORLD: The Lyrics.. Soon to be the most complete and accurate Kate Bush lyrics pages available, including unreleased demo recordings and alternate versions of songs.. Compiled and presented by.. Chris Williams.. , and.. THIS WOMAN'S WORK: The Kate Bush Discography.. An ongoing effort to create the most complete and accurate discography of Kate Bush available anywhere.. Ellen Van Neck.. WOW: The Gallery of Images.. Many pictures.. Many, many pictures.. Credits.. Who we are.. Title Page image by.. David O.. Benson..

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  • Title: Gaffaweb - Kate Bush: FAQ
    Descriptive info: This FAQ is maintained by.. Birgitte Breemerkamp.. (gaffa_web@yahoo.. com).. Last updated: October 2005.. Information about this FAQ.. Kate Bush - her career and Kate as a human being.. Tours.. The Convention.. Basic Discography/Videography.. Common Ground (Celtic Voices).. - Kate's latest project.. Other tidbits.. The Albums and Demos.. The Cathy Demos.. The Studio Demos.. The Kick Inside.. Lionheart.. Never For Ever.. The Dreaming.. The Single File.. Hounds of Love.. The Whole Story.. The Sensual World.. This Woman's Work Boxed Set.. Aerial.. Live At The Hammersmith Odeon.. Official video tapes/LaserDiscs.. Hair Of The Hound.. The Line, The Cross, and The Curve.. Misc.. Appearances.. Peter Gabriel - Cv.. The Secret Policeman's Third Ball.. The Decade of Music Video - Eighties - VideoStars of 1987.. Seventies Rock Pop 78.. Earthrise.. The Prince's Trust Rock Gala.. The Awards.. Comic Strip Classics - The Strike / GLC.. Work with other artists..  ...   Forums.. The Cathy Demos / The Studio Demos.. Never for Ever.. Miscellaneous.. Other Kate Bush sites.. Love-Hounds/rec.. Other mailing lists that might be of interest.. Happy Rhodes.. Tori Amos.. She really IS! No, really, she IS!.. What the world or Kate doesn't need is any more 'casual Kate Bush.. fans'.. What the world and Kate need is more FUCKING KATE BUSH.. MANIACS.. - IED.. Any day now.. - The Kate Bush fan mantra.. I think you're all completely mad, and thank you very much.. - Kate Bush to her fans.. Take your bizarre and petty discussions elsewhere.. - New Fan.. This *IS* 'elsewhere'.. - | oug, Love-Hounds founder.. How do you sing normally? - Ray Cokes.. I try to sing in tune - Kate Bush.. I've just come! - Kate Bush receiving her Q Award.. So have we - The fans, after learning about Aerial..

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  • Title: Cloudbusting: Kate Bush In Her Own Words
    Descriptive info: Gaffaweb.. Cloudbusting: Kate Bush In Her Own Words.. Cloudbusting --.. Kate Bush.. In Her Own Words.. Compiled By.. Original WWW conversion.. By.. Richard Caley.. Gaffaweb integration by Chris Williams.. Third Edition - November 11, 2005.. Note.. :.. This version of cloudbusting is a little patchy having been produced from the  ...   there are some places where the formatting is wrong.. Anything I have written will be full of spelling errors.. Volunteer proofreaders very much appreciated.. Contents:.. Information about Cloudbusting.. Information about WWW version.. Kate talks about her music.. Kate's Story.. Other Subjects.. Sources and Credits.. Other Kate Related Resources.. / Cloudbusting..

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  • Title: Gaffaweb - Kate Bush - PHOENIX - The History of the Cathy Demos - compiled by Wieland Willker
    Descriptive info: P H O E N I X.. EARLY KATE BUSH.. THE HISTORY OF THE DEMOS.. by.. Just like the phoenix really, she rises out of the ashes.. - My Magical Mystery Demo Tour -.. Updated: Sun, 7 July, 1996.. Listening to the demos and looking at the photos in your Cathy book while reading this is strongly recommended.. This version is especially dedicated to Mandy Heath.. I really hope you'll enjoy it!.. Sources: IED, Ron Hill, PDFM, LH-archive, Amazing Pudding Special, Phoenix broadcast (thanks Tom Tuerff), my own collection.. Back to the Gaffaweb.. Table of Contents:.. The Beginning.. The First Recordings:.. at home 1972, unknown number of songs.. The Second Recordings:.. ('Gilmour Piano Session'), at Kate's house 1973, unknown number of songs, possibly incl.. TMWTCIHE.. The Third Recordings:.. ('Passing Through Air', PTA-Session) at Gilmour's farm August 1973, ca.. 10-20 songs have been recorded incl.. PTA and Maybe.. The Early Years.. The Fourth Recordings:.. (3-SONG-Session), at AIR London Studios in June 1975, the songs TMWTCIHE, Saxophone Song and Maybe have been recorded.. The Fifth Recordings:.. (the 1976 demos), piano-only at Kate's house.. These are very possibly the songs known to us originally from the Phoenix broadcast and later from the various bootlegs.. The Kick Inside Recording Sessions:.. at AIR London Studios in July, August 1977.. The six 'Kick Inside Demos' are most probably from these sessions.. The Babooshka Demos.. Turkish Delight - A Fake.. How the demos reached the public.. The Song Titles.. Conclusion.. The Demo Lyrics.. To the Gaffaweb Table of Contents.. THE BEGINNING:.. Kate:.. My father has told me I used to dance to the music on the telly.. I remember it vaguely.. It was completely unselfconscious and I wasn't aware of people looking at me.. One day some people came into the room, saw me and laughed and from that moment on I stopped doing it.. I think maybe I've been trying to get back there ever since.. [Look up the photo of little.. Cathy dancing in the grass.. , Cathy book.. ].. At about 1969, 11 year old Kate begins to play on the piano and starts writing poems.. By 1971 she starts writing ballads and slow songs such as TMWTCIHE or Saxophone Song.. Vermorel:.. She wrote stories for her own amusement and poems 'about being alone or wandering in the woods'.. She had a phase of being obsessed about whales and tried several times to write 'a whale song'.. [Moving?].. Kate:.. I wasn't an easy, happy-go-lucky girl, because I used to think about everything so much, and I think I probably still do.. I found it very frustrating being treated like a child when I wasn't thinking like a child.. From the age of ten I felt old.. I became very shy at school.. When I was very little, my brothers were into traditional folk music, and my father used to play and compose on the piano and I think that this was a very strong influence on me.. I was very little and there was always music in the house, so it didn't seem unnatural to start playing the piano or playing around on the instruments that were in the house.. I probably wrote the first song when I was about eleven, but I mean it was terrible [laughs], very overdone.. And I think the more you write songs, you just get a knack for them, hopefully.. [laughs].. Since I was a kid, I mean I've been interested in music since I was about five.. But when I was about eleven I actually started writing songs.. I was up in my little room screaming my head off and plonking away at the piano.. Paddy:.. And when Kate began working on the piano, she'd go and lock herself away and wind up spending five or six hours, seven days a week, just playing the piano.. At the age of thirteen or fourteen she was spending tons and tons of time writing, but starting in fact when she was about ten.. I just started poking around at the piano and started making up little songs.. When I was 14, I started taking it seriously, and began to treat the words to the songs as poetry.. It's very hard to remember how I felt at the time, but it was something I enjoyed doing so immensely.. It was my release from school, and, you know, if I couldn't go out and it was a wet day, or there wasn't anything good on television, that would be my favourite place to go: to the piano.. I had such an excess of emotion that I needed to get it out of my system and writing was how I did it.. It was a very important relationship and still is to me.. I found something that I don't think I've ever really found since, when I first started writing songs: that I could actually create something out of nothing, and it was a very special discovery - I think if you are lucky enough to make it at a young age, as I was.. My father played the piano, and we also had an old harmonium in a barn next to our house, where I'd spend a lot of time just pedalling away hymns.. I really loved their melodies and harmonies and worked out for myself that a chord was made from a minimum of three notes, and that by changing one of these notes you could get completely different chords to work with the new note.. In a way, that started my interest in the way things could sound and feel very different just by putting different chords to a tune.. As the harmonium got eaten up by mice, less and less of the stops that selected the sounds worked, so naturally I turned my attention to playing the piano.. I couldn't read music at all.. It was really a question of having a logical approach, once I knew where middle C was.. Even though I wasn't much good at maths at school, I could see the logic of how the piano was working, and got on with it myself very well.. I've now been playing the piano for many years, and I really did start off in the most basic way.. After a couple of years I'd got a slight style, and since then I've simply developed it more, just by writing and then practising playing the songs.. Often, I'd be writing songs beyond my technique which would stretch my playing even further.. I usually started off with the tunes, and used library books for a source of lyrics, but I couldn't get on too well with the restriction of always fitting the music to the words.. So I started making my own lyrics up alongside the music.. Discovery of music personally for me came when one day my father took me into the piano and showed me the scale of C on the keyboard.. And I couldn't believe that this was how this worked, that it was so logical, that there was actually a plan to the keyboard that was so easy to see, that was like playing one finger on the notes and then singing that tune.. And then gradually I got to understand about chords, and once I hit chords that was really it, you know.. This was the most exciting thing in my life, the chord.. Instead of going out to play with other children I used to play the piano - it was my way of talking, of expressing myself.. Every night for a couple of hours I'd sing and play.. Well.. they thought it was a lot of noise.. When I first started, my voice was terrible, but the voice is an instrument to a singer, and the only way to improve it is to practice.. I could sing in key but there was nothing there.. It was awful noise, it was really something terrible.. My tunes were more morbid and more negative.. That was a lot of people's comment: they were too heavy.. But then a lot of people are saying that about my current songs.. The old ones were quite different musically, vocally, and lyrically.. You're younger and you get into murders.. I used to write poetry like everyone else did in English classes.. Everyone was free to read them - we always read each other's work.. But people at school didn't know that I was writing songs.. At 16 I had gotten to the point where my songs were presentable.. That was after five years of writing ballads and slow songs like 'The Man With The Child In His Eyes'.. 1972 saw KaTe's first public appearance as a singer and dancer.. The occasion was a school production of the musical play 'Amahl and the Night Visitors'.. The school magazine records that.. 'colourful relief' was introduced at the entrance of the shepherds and shepherdesses, members of the Senior and First and Second year Choirs, who tripped in all rosy-cheeked and healthy-looking, bringing gifts for the kings.. Two of these, Catherine Bush and Sarah Brennan, later gave a short dance in honour of the kings, which was both pastorally graceful and imaginative.. THE FIRST RECORDINGS:.. In 1972/73 Kate recorded several tapes of songs (more than 30 songs per tape, some sources say 60 altogether, Kate once said.. I had, say like 50 songs.. Some said up to 200 songs).. 20-30 of these songs were presented via JCB's friend Ricky Hopper, first without success to record companies.. I was about fifteen.. My family thought it would be interesting to see if we could get some of my songs published, I'd written loads of songs.. I just used to write one every day or something.. He [Ricky Hopper] came around to listen to me.. I put twenty to thirty of my songs on a tape and he'd take it to record companies.. Of course there was no response; you wouldn't be able to hear a thing, just this little girl with a piano going yaaaa yaaaa for hours on end.. [the songs] weren't that good.. They were OK, but.. Then Ricky Hopper presented the songs to David Gilmour.. Gilmour noticed her talent, but also the bad tape recorder quality.. Gilmour:.. A friend of mine has a friend who told my friend that his sister was very talented.. This friend of mine came to me and said, My friend has a very talented sister and would I listen to her.. And I said sure , so I listened to her.. I thought she was very good.. THE SECOND RECORDINGS:.. ('GILMOUR PIANO SESSION').. This session took place at Kate's house with Gilmour in 1973.. Only Kate and piano, with a better recorder.. There are at least two Gilmour-interview confirmations about this session (Q and CHEZ Canadian radio).. I think this is the session, Kate had in mind, when she said:.. Absolutely terrified and trembling like a leaf, I sat down and played for him.. He came along to see me and he was great, such a human, kind person - and genuine.. I did some recording at her house, her parent's house.. I know that one of the first songs that I noted was The Man With the Child in His Eyes , out of many songs that she had written.. She was only 14, I think, when I met her, maybe just about 15.. But Gilmour also once said re this [?] session: (IED stating from the Q-interview:) He paid to have Kate go into a studio and re-record some fifty songs over again.. (again, apparently, solo with her own piano accompaniment-- not, it seems, with Gilmour and his musician friends at Gilmour's house).. (Q, 1990).. This is a bit confusing.. It seems to be sure, that Gilmour visited Kate at her home and listened to her songs.. I also think, they recorded something.. Did Gilmour visit Kate more than once? Did he bring a recorder at the first meeting? What is this about the piano studio session? It seems unlikely IMHO, to insert yet another session here.. Nothing is well confirmed so far.. ****We need this Q-interview!!!! Has anyone access to the Q-mags in his library? It must be around Sept.. 1990! I think, IED, you brought this up, so it's your turn! :-) ****.. THE THIRD RECORDINGS:.. ('Passing Through Air', PTA-SESSION).. In August 1973 at Gilmour's farm with two Unicorn band members: drummer Peter Perrier and bassist Pat Martin, and Dave Gilmour on electric guitar.. According to Gilmour (Q) ca.. 10-20 songs had been recorded.. This tape definitely made it to EMI.. Besides PTA also the second version of Maybe was recorded.. And we went to Dave's for a day, basically.. And the bass player and drummer from Unicorn sat down and we just kind of put a few songs together.. I remember it was the first time I'd ever done an overdub with the keyboard - I put this little electric piano thing down, and I remember thinking: 'Ooh! [laughing] I like this!'.. And, well, I mean really it was because of those tracks that I then went on to do the tracks which were then used - two of which were used to go on the  ...   because, you know, I felt a particular emotional involvement coming on right from the word go.. But I also just thought: this girl's like just eighteen, whereas I'd been struggling for years on my bass.. And I knew I just had to get involved some way because this was going to be MEGA.. It was a phenomenon because it was so completely different from what anyone else was doing.. Anyone can set up their gear and sit down at a piano and sing for an hour.. But not everybody can put on a whole integrated show.. And as soon as we got our little band together years ago, right from the word go it was theatrics and show.. We were only playing little pubs on tiny little stages like at The Rose of Lee [her first appearance, Lewisham], but we had a whole light show, we used dry ice, and all that.. Paddy:.. There was this place in Lewisham, it was called The Rose Of Lee, it doesn't exist anymore.. The first night that we turned up, there were four people there.. And it really hotted out about ten thirty, another two people came in [laughter] -Jay and my father.. [more laughter] Really, really marvelous.. And then the next week it was a bit better, it was about.. about twelve people there.. The songs being sung were, they were mainly standards, actually.. 'Tracks Of My Tears'.. But then in about three weeks.. the word started getting around and the club became more and more and more packed.. And I think maybe about the fifth or six week.. you couldn't get in.. And this was all pre-.. before the album was released or anybody knew anything about Kate, it was just the name of a group.. [laughter] I think about the fifth or six performance that night.. The night she first did 'James and the Cold Gun'.. In fact, that was really good.. I working the lights [laughter] and Lisa [??? invented ] fantasticly.. We were hoping to get these huge blocks of dry ice which we were going to try out in the night.. They [just said.. stringing in the dust bin ???] pore some hot water on it and watch what happens.. And we did and it was phenomenal! [laughter] Six foot of [thrown ???] ice over here.. Yeah, that was very, very impressive.. I felt,'James And The Cold Gun' had a very phenomenal effect on the audience.. July, August 1977.. The actual recording sessions for the album.. Very probably our 'Kick Inside Demos' are from these sessions.. These demo recordings are of a far more refined and polished type, and are fully orchestrated and produced.. They are probably among the many tracks which were worked on prior to the final selection of the thirteen songs on The Kick Inside.. Five of the titles are familiar:.. Moving.. Don't Push Your Foot on the Heart Brake.. L'Amour Looks Something Like You.. Kite.. Strange Phenomena.. Scares Me Silly (But It Gets Me Going).. This sixth track is an unreleased song.. It is extremely bouncy and catchy, laden with melodic hooks.. Its lyrics are fascinating, as well (they describe the challenge of retaining the original spark of feeling of a song during the recording process).. Just a thought I have sometimes: Listen to The Kick Inside as an early Demos album.. An officially released Demo album by KaTe herself.. Makes a big difference.. Listen to the Kick Inside Demos first, then change to the album The Kick Inside.. Strange, mysterious experience!.. NOVERCIA.. Just because it's funny.. Official form:.. Particulars of directors of the company Novercia Ltd.. :.. Patrick Bush, musician and instrument maker, Director of Novercia Ltd.. John Carder Bush, writer, Director of Novercia Ltd.. Catherine Bush, Singer, Director of Novercia Ltd.. Robert John Bush, Medical Practitioner, Director of Novercia Ltd.. Hannah Patricia Bush, Company Director, Director of Novercia Ltd.. THE BABOOSHKA DEMOS:.. Finally, there are two known demo versions of the song Babooshka.. Recorded some time between January and June 1980 during the sessions for Never for Ever.. Excerpts from the demos were apparently played by Kate herself on a Capital radio programme called Small Beginnings on July 17th, 1982.. Both are almost exactly 2 min.. long.. The first demo of Babooshka features Kate on piano, and she has added one backing vocal during the choruses.. The second version has a percussion pattern from an early rhythm-box, and features a synthesizer and, in addition to the lead vocal, at least two over-dubbed backing vocals.. TURKISH DELIGHT : A 'FAKE'.. The only song falsely presented so far as a Kate Bush song is Turkish Delight : from Homeground No.. 32, p.. 8:.. A track which has appeared on certain 'instant' tape cassette bootlegs recently has caused some puzzlement.. The name of the track is 'Turkish Delight'.. It isn't written or performed by Kate.. It was recorded by an outfit called 'China Doll', and it was released by EMI (Parlophone) as a single in July 1983.. It was a cold methodical rip-off of an accountant's view of what constituted the 'Kate Bush Style'.. DJs who could not find space for Tenner on their programmes, found space for this travesty, introducing it as 'the new Kate Bush single' (yet another one).. We thought it sounded like Faith Brown doing an impression of Pamela Stephenson doing an impression of Kate on a bad day.. To me it sounds even now quite good.. I wasn't sure for some weeks although I noticed some slight differences in the voice.. Strange experience.. HOW THE DEMOS REACHED THE PUBLIC EAR.. 1.. THE PIANO DEMOS:.. The first presentation of the demos to the public was in 1982 when local DJ John Dixon presented 22 piano demo songs on his KSTM radio station in Phoenix.. He had worked for EMI at the time of Kate's initial signing, and aquired the tapes then.. It is not clear if all the available bootleg versions of the demos come from this source.. There are several differences in the recording quality, which might indicate different sources.. Also Organic Acid the 23rd piano demo, which only appeared once on the fifth Demos-EP points to a second source.. There are also rumours about other demos in the possession of DJ John Dixon, like TMWTCIHE, Kite etc.. 2.. THE KICK INSIDE DEMOS:.. No idea.. Maybe also John Dixon?.. THE SONG TITLES.. Nobody knows Kate's titles.. They are only guesses.. The following early sources are known: [Many other obscure, but wrong labelings appeared later on CD's and LP's.. THE PHOENIX BROADCAST 1982/1987:.. The Phoenix broadcast titles seem to be the nearest to the original because DJ John Dixon read them directly from the original [!] tape! What follows are the song titles in succession as they appeared on the Phoenix tape (IED's titles in brackets):.. duration from Home Demo CD:.. The Kick Inside (Brother) (demo version) 3'39.. Hammer Horror (demo version) 2'41.. It Hurts Me (Feeling Like a Waltz) 2'54.. Stranded At The Moonbase (Keeping Me Waiting) 2'52.. Kashka From Baghdad (demo version) 2'30.. Surrender Into The Roses (Carmilla) 1'28.. Oh To Be In Love (demo version) 3'07.. Rinfy The Gypsy (Playing Canasta in Cold Rooms) 4'07.. On Fire Inside A Snowball (Hot in the Ice) 2'27.. Dali (Ferry Me Over) 3'03.. Where Are The Lionhearts (On the Rocks) 2'23.. Violin (demo version) 2'07.. The Craft Of Love (Craft of Life) 2'56.. The Gay Farewell (Eddie the Queen) 2'27.. Something Like A Song 2'10.. Frightened Eyes 3'15.. The Disbelieving Angel 2'10.. Nevertheless, You'll Do 1'57.. Come Closer To Me Babe (Who is Sylvia?) 3'47.. So Soft (You're Soft) 2'46.. The Rare Flower (Pick the Rare Flower) 2'59.. While Davy Dozed (Davy) 3'09.. Total time: 60'54.. So, I think, what we have here, appears to be the track-listing of Kate's original demo tape.. They appear to be legitimate, though none of us can be certain of course.. It is also interesting to mention that Organic Acid (5'45) is missing.. When you calculate the duration of the whole thing, you come to something like 60'54 minutes.. This indicates a C60 tape.. So, maybe Organic Acid comes from another tape?.. THE 'FIDDLE' TAPE/CD:.. IED: Fiddle is the title of an early (1988?) cassette-only bootleg of 22 of the demos, which IED picked up at a record swapmeet.. From your description both Fiddle and Alone At My Piano [CD] appear to stem from the same source (perhaps the Phoenix FM broadcast).. DUTCH FANZINE 'KATE: In the May '89 issue of the Dutch Kate Bush fanzine 'Kate', co-editor Theo Haast reports for the first time the six Kick Inside Demos:.. duration from CD:.. Moving 2'37.. Don't Push Your Foot on the Heartbrake 2'50.. Kite 2'44.. L'Amour Looks Something Like You 2'08.. Strange Phenomena 2'40.. Scares Me Silly (But It Gets Me Going) 3'11.. Total time: 16'10.. What follows is a list of various titles that are in use for the demo songs.. All titles in brackets are uncertain (i.. e.. more uncertain than the Phoenix titles) or wrong.. Try to use the Phoenix titles only and prepare your Demos-CD with these titles! This helps to avoid confusion.. Note: Organic Acid and Scares Me Silly are not from the Phoenix broadcast.. They are added for completeness sake.. (A Rose Growing Old) It Hurts Me.. (Before the Fall) Organic Acid.. (Carmilla) Surrender Into The Roses.. Come Closer To Me Babe.. (Craft of Life) The Craft of Love.. (Coming Up) Surrender Into The Roses.. Dali.. (Davy) While Davy Dozed.. (Eddie the Queen) The Gay Farewell.. (Feeling Like a Waltz) It Hurts Me.. (Ferry Me Over) Dali.. Frightened Eyes.. (Garden By The Willow) Something Like A Song.. (Goodnight Baby) Come Closer To Me Babe.. (Hold Me) While Davy Dozed.. (Hot in the Ice) On Fire Inside A Snowball.. (In My Garden) Something Like A Song.. (In My Lovers Room) Rinfy The Gypsy.. (I Don't See Why I shouldn't) Rare Flower.. It Hurts Me.. (Keeping Me Waiting) Stranded At The Moonbase.. (Lionhearts) Where Are The Lionhearts.. Nevertheless, You'll Do.. On Fire Inside A Snowball.. (On the Rocks) Where Are The Lionhearts.. Organic Acid.. (Playing Canasta in Cold Rooms) Rinfy The Gypsy.. (Pick the Rare Flower) Rare Flower.. (Queen Eddie) The Gay Farewell.. Rare Flower.. (Really Get's Me Going) Scares Me Silly.. Rinfy The Gypsy.. Scares Me Silly.. (Set In The Snow) On Fire Inside A Snowball.. (Snow) On Fire Inside A Snowball.. (Snow Bowl) On Fire Inside A Snowball.. Something Like A Song.. So Soft.. Stranded At The Moonbase.. Surrender Into The Roses.. (The Craft of Life) The Craft of Love.. The Craft of Love.. The Gay Farewell.. (The Air Is Getting Low) Stranded At The Moonbase.. (To Be With You) So Soft.. Where Are The Lionhearts.. (Who is Sylvia?) Come Closer To Me Babe.. While Davy Dozed.. (You're Soft) So Soft.. CONCLUSION:.. STILL A LOT OF CONFUSION! :-) But not so much as before!.. We know for sure now:.. - the Babooshka demos are from a 1982 Capital radio programme.. We know almost for sure now:.. - the Piano Demos are from 1976.. We can presume (but not for sure) that:.. - Gilmour recorded something with Kate at East Wickham Farm.. It's not clear if this conceivable tape has been sent to EMI.. - the song titles from the Phoenix broadcast are Kate's own titles.. - Organic Acid is from another tape.. - the 'Early Years' LP is from one of the first two recording sessions (if the 'piano-only rumour' is true).. - the Kick Inside demos are from 1977.. It is completely unclear:.. - how often Gilmour visited Kate.. - if Gilmour sent Kate to a studio to do professional piano demos (only one unclear interview confirmation.. IED?).. - to which songs the following titles from 'The Early Years' refer to: You Were the Star, Cussi Cussi, Atlantis, Sunsi, Go Now While You Can.. They seem to be completely unknown songs.. - who offered the Kick Inside demos (maybe John Dixon, too?).. What we need most of all:.. - KaTe in her own voice!.. - an official release of all demos with official lyrics and comments on each song!.. - the Q interview!.. - more early Gilmour interviews!.. Nevertheless, despite all the mysteries and.. as much as many others would like to have it otherwise, the notions that Kate Bush is 'simply a woman', and that she is in any important way 'the same as all of us' are, frankly, absurd, and self-evidently untrue.. Her life has been quite unlike any of ours, virtually from birth.. She is, moreover, God.. And it is now universally acknowledged that she is the only thing in life worth wasting any thought on at all.. Everything else is just killing time.. There is no question whatever of the truth of this judgement, which is unanimous, absolute and irrevocable.. (Love-Hounds Leading Committee).. Best wishes, Wieland.. See also:.. The Demos.. section in Wieland's.. Dreaming.. Me: Kate, please, can you tell me something about the.. blah, blah, blah.. David Gilmour.. blah, blah, blah.. The Early Years.. and finally about the Kick Inside recordings?.. - Pause, with KaTe looking out of the window.. Me: KaTe?.. KaTe: Oh.. Eh - sorry.. You want my reply? What was the question?.. She Really Is!!!..

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  • Title: Gaffaweb - Kate Bush - DREAMING - A 'Best of' Love-Hounds Collection - compiled by Wieland Willker
    Descriptive info: * * DREAMING * *.. A 'Best of' Collection.. Ten Years of Love-Hounds.. * 1985 - 1995 *.. We all have a dream maybe?.. written by Love-Hounds.. compiled and edited.. by.. Sept 1995 - June 1996.. Enjoy!.. Back to the Gaffaweb Table of Contents.. (Please read).. A.. The Albums.. B.. The Interviews.. C.. Discography.. Posts.. D.. Love-Hounds History.. E.. MisK.. Complete  ...   this publication.. All rights are hereby.. returned to the contributors (Love-Hounds).. Important Note:.. You're missing The Red Shoes ?.. Have a look at.. 'MOMENTS'.. ! Here you'll find everything relevant concerning The Red Shoes from Love-Hounds.. Lyrics, Interviews, Reviews, Discussion, the film etc.. Have a look!.. Note: All entries in Dreaming are ordered by date, unless otherwise indicated.. S R I..

    Original link path: /dreaming/index.html
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  • Title: Gaffaweb - Kate Bush - MOMENTS - A Red Shoes Collection - compiled by Wieland Willker
    Descriptive info: ** M O M E N T S **.. A Red Shoes.. Collection.. And these moments given.. Are a gift from time.. Just let us try.. To give these moments back.. To those we love.. To those who will survive.. (Kate Bush).. Written by Love-Hounds.. compiled and edited.. August 1995.. This Line (Cross and Curve), at the beginning and end of pages,.. will always transport you around within Moments.. Lines within the pages will take you.. to the top of that particular page.. Table of Contents:.. 0.. 1 Intro.. 2.. List of Contributors.. 0..  ...   Credits.. LH comments on songs.. Impressions/Feelings on the whole Album.. 3.. The Film.. The pre-Film Videos.. The Red Shoes - Story and Film.. The Line, The Cross And The Curve.. 4.. Words.. The Charts.. Discography.. 5.. Miscellaneous.. The Man I Love.. Sexual Healing.. Fruitopia.. This Line, Cross and Curve will take you on to 0.. 1 - Introduction.. (C) All contents are copyright by the editor of this publication.. All rights are hereby returned to the contributors (Lovehounds).. See.. Contributors.. list.. Contact: newsgroup.. mail to:.. love-hounds-request@gryphon.. com.. Write 'subscribe' in the body of the letter..

    Original link path: /moments/index.html
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  • Title: Gaffaweb - Kate Bush - THE GARDEN - compiled by Andrew Marvick
    Descriptive info: THE GARDEN.. A Compendium Of Information.. (1978-1990).. For The Serious.. KaTe Bush Fan.. Compiled and Edited.. Go into The Garden,.. Go under the ivy.. Back to the.. Gaffaweb.. Table of Contents..

    Original link path: /garden/index.html
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  • Title: Gaffaweb - Kate Bush - PASSING THROUGH AIR: The Videography
    Descriptive info: The.. Kate Bush.. Videography.. html by.. additional html, images and.. design by VM.. Welcome to Passing Through Air! PTA is an effort to gather together all pertinent information about Kate's many public TV performances, lip-snycs, interviews, appearances and mentions since the beginnning of her career.. PTA was compiled by combining two important video lists: one by Peter David Fitzgerald-Morris and one by Andrew IED Marvick.. Whenever possible, an identifying image is (or soon will be) included.. In some cases, those thumbnail clips will lead to other images from that appearance.. Occasionally there will be discrepancies in information, and little or no information at all about an appearance.. If you can add any  ...   images, and (hopefully) much more information, will be added.. Also on the horizon are entries for the official videos, and listings by show titles and songs sung.. I hope you'll enjoy what's here now.. Ordered by year and month.. 1978 /.. 1979 /.. 1980 /.. 1981 /.. 1982 /.. 1983 /.. 1984 /.. 1985 /.. 1986 /.. 1987 /.. 1988 /.. 1989 /.. 1990 /.. 1991 /.. 1992 /.. 1993 /.. 1994 /.. 1995 /.. 1996 /.. 1978.. February.. March.. April.. May.. June.. July.. September.. October.. November.. December.. 1979.. January.. August.. 1980.. 1981.. 1982.. 1983.. No known appearances.. 1984.. 1985.. February.. 1986.. 1987.. 1988.. 1989.. 1990.. 1991.. 1992.. 1993.. 1994.. 1995.. 1996..

    Original link path: /passing/index.html
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  • Title: Gaffaweb - Kate Bush - REACHING OUT - The Interviews, Articles & Reviews
    Descriptive info: ** REACHING OUT **.. The Interviews, Articles Reviews.. of Kate Bush.. You want my reply?.. What was the question?.. You never understood me,.. You never really tried.. The Reviews.. The pull and the push of it all.. - Kate Bush.. Reaching Out.. is a.. Marvick - Hill.. Willker - Mapes.. Fitzgerald-Morris.. Grepel - Love-Hounds.. Presentation..

    Original link path: /reaching/index.html
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  • Archived pages: 1098